TONY WALTON
Tony Walton (born Anthony John Walton, 24 October 1934) is an English Oscar, Tony, Emmy, and Drama Desk Award-winning set and costume designer.
Walton was born in Walton-on-Thames, Surrey. He began his career in 1948 with the stage design for Noel Coward's Broadway production of Conversation Piece. Throughout the late 1950s and early 1960s he designed for the New York and London stage. He entered motion pictures as costume designer and visual consultant for Mary Poppins in 1964, for which he received an Oscar nomination.
His awards include an Oscar for All That Jazz in 1980 and an Emmy for the acclaimed 1985 TV version of Death of a Salesman. He has received many Oscar, Emmy and other nominations, including BAFTA nominations for costume and set design for Murder on the Orient Express in 1975 and Oscar nominations for both costume design and set direction/art direction for the motion picture version of The Wiz in 1979.
MARK FISHER – WİLLİE WİLLİAMS
Willie Williams (William Peter Charles Williams) is a video director, stage and lighting designer for concerts, theatre, & multimedia projects. He is best known for his groundbreaking work with the rock band U2, and is recognized as one of the leading artists in this field. [1]
He was born in 1959 in Newcastle-upon-Tyne and raised in Sheffield, England, son of Robert Woodman Williams, a singer & medical practitioner who was an early pioneer in the then fledgling field of physiotherapy and who also sang with South Yorkshire Opera. Williams excelled at mathematics and science in school and planned to study physics at University College, London. The advent of punk rock caused him enter the music scene instead, and he began doing lights for various bands such as Writz, Deaf School and Stiff Little Fingers. Hearing U2's album Boy and determined to work with them, he contacted U2's manager Paul McGuinness and got the job.
Willie Williams has been responsible for the design of all of U2's tours from 1982 onward, most famously the extravagant, bewildering Zoo TV Tour (1992-93), but also the far more minimalist War Tour (1982-83) and Unforgettable Fire Tour (1984-85), as well as the Joshua Tree Tour (1987), Lovetown Tour (1989-90), PopMart Tour (1997-98), Elevation Tour (2001), Vertigo Tour (2005-06) and U2 360° Tour (2009-10). He has also worked with musical artists such as R.E.M.,[2][3], David Bowie, The Rolling Stones, Darren Hayes [4] and George Michael.[5]
He has exhibited his own kinetic light sculptures in several art galleries.[6] The sculptures, entitled "Lumia Domestica", create kaleidoscopic projections by refracting light through household glassware. Other public works include the creation of lighting installations at London's Southbank Centre and within Canterbury Cathedral; "SkyChurch", a multimedia performance space at the Experience Music Project in Seattle, Washington, and a permanent exhibit at Cleveland's Rock and Roll Hall of Fame Museum.
Williams has designed for the legendary Montreal-based dance company La La La Human Steps. Other collaborations have been with Laurie Anderson, Marianne Faithfull and the Kronos Quartet, most notably on Sun Rings, a joint effort with NASA that combines the string quartet's music with video and audio material collected by the Voyager 1 and Voyager 2 spacecraft. [7]Theatre shows Williams has worked on include We Will Rock You, Little Britain Live, French and Saunders Still Alive, Steve Coogan is Alan Partridge and Other Less Successful Characters, The Fast Show Live, Barbarella and Pam Ann
JOHN LEE BEATTY
John Lee Beatty is an award winning American scenic designer. He was born in Palo Alto, California and grew up in Claremont. His father was dean of students at Pomona College and her mother had also work in academia. While he was English major at Brown University, he also directed, wrote, acted and drew posters and scenery for college productions. After graduating Brown, he entered Yale School of Drama where he was trained by Ming Cho Lee, as well as Donald Oenslager and Jo Mielziner.
In New York, he was an assistant of Douglas Schmidt and started making scenery for Broadways. One year later, he joined the old Circle Repertory Company where his first Broadway show Knock Knock in 1976, had appeared.
Beatty has designed sets for more than seventy Broadway productions since 1973 including The Apple Tree, Losing Louie, Heartbreak House, The Caine Mutiny Court-Martial, Rabbit Hole, The Color Purple, The Odd Couple, Doubt, Who's Afraid of Virginia Woolf?, Twentieth century, Wonderful Town, Dinner at Eight, Morning's at Seven, Proof, Footloose, Ivanov, The Little Foxes, Once Upon a Mattress, Chicago, A Delicate Balance, The Heiress, Redwood Curtain, A Small Family Business, The Most Happy Fella, Ain't Misbehavin', The Octette Bridge Club, Duet for One, Fifth of July, Talley's Folly, The Innocents, and Knock Knock. Beatty won Tony Awards for his designs on Twentieth century and Talley's Folly and received eleven other nominations for his work. Beatty also has won the Drama Desk Award for Outstanding Set Design four times and received ten other Drama Desk nominations
Neil Patel
Neil Patel (b. 1964 in Bangor, Wales) is a prolific, award-winning American scenic designer. He has designed numerous productions for theater, opera and dance. He designed Warren Leight’s Tony Award winning play Side Man on Broadway, London's West End, and the Kennedy Center; 'night, Mother and (title of show) on Broadway and Donald Margulies' Pulitzer Prize winning Dinner With Friends Off-Broadway and on National Tour. He has designed for the Guthrie Theater, the Steppenwolf Theater, the Royal Shakespeare Company, the Brooklyn Academy of Music among many regional companies in the United States and abroad. Since 1997 he has been a member of Anne Bogart’s SITI Company.
His designs for Opera include the world premieres of Bright Sheng’s Madame Mao at the Santa Fe Opera and David Carlson’s Anna Karenina at the Florida Grand Opera. Both directed by Colin Graham.
Designs for television include the critically-acclaimed series In Treatment for HBO.
Mr. Patel has received the Helen Hayes Award, numerous Drama Desk Award nominations and is the recipient of two Obie Awards for Sustained Excellence in Set Design.
He is married to theater director Maria Mileaf.
Richard L. Hay (scenic designer)
Richard L. Hay has since 1950 been Actor, Lighting Assistant, Technical Director, Art Director, Designer and Technical Director, Resident Scenic Designer, and Principal Theatre and Scenic Director at the Oregon Shakespeare Festival, interrupted by occasional stints at other theatres.[1]. The Oregon Shakespeare Festival has dedicated its 2009 season, the fiftieth anniversary of the Elizabethan Stage which he designed, to Richard Hay.[2]
Over more than half a century, Hay has designed four theaters and 224 productions, 114 of them by Shakespeare, for the Festival. He is one of the few people who have designed sets for every single one of Shakespeare’s plays, and he has designed sets for The Merchant of Venice, Twelfth Night, Hamlet, and Much Ado about Nothing five times.[3] He designed nine other theaters including the Festival Stage and New Old Globe Theatre in San Diego, the Source Theatre and Space Theatre in Denver, the Intiman Playhouse in Seattle, the Milwaukee Repertory Theater, and Artists Repertory Theatre in Portland, Oregon. Outside of the Oregon Shakespearean Festival he has done the scenic design for 85 additional productions at theatres such as the Mark Taper Forum in Los Angeles, Kennedy Center in Washington DC, and the Gramercy Arts Theatre and Nederlander Theatre (formerly Billy Rose Theatre) in New York. He is known for producing sets that vary from the highly realistic through the whimsical to the stark and abstract, and for his ability to work with directors and technical staff.[3]
[edit] Biography
Richard Hay designed his first theatre for puppets as a child, and his first set for his high school class production of Pride and Prejudice in Wichita, Kansas.[4] He earned his BA in civil engineering and architecture in 1952, and his MA in theater arts from Stanford University.[1] He was a Fulbright Fellow in England and is the recipient of the Oregon Governor’s Arts Award.[4] the Hollywood Drama-Logue Critics Award, the Portland, Oregon, Critics Circle Drammy Award, and was selected as the first recipient of the Distinguished Achievement Award of the United States Institute for Theatre Technology.[5] He has been listed in Who’s Who in America, Who’s Who in the West, Who’s Who in Entertainment, and Theatrical Designers: An International Biographical Dictionary. He has appeared in small roles in Henry IV, Part One, The Comedy of Errors, Titus Andronicus, and The Knight of the Burning Pestle.[6]. His work is summarized with illustrations in A Space for Magic: Stage Settings by Richard Hay.[7]
Tony Walton
Tony Walton (born Anthony John Walton, 24 October 1934) is an English Oscar, Tony, Emmy, and Drama Desk Award-winning set and costume designer.
Walton was born in Walton-on-Thames, Surrey. He began his career in 1948 with the stage design for Noel Coward's Broadway production of Conversation Piece. Throughout the late 1950s and early 1960s he designed for the New York and London stage. He entered motion pictures as costume designer and visual consultant for Mary Poppins in 1964, for which he received an Oscar nomination.
His awards include an Oscar for All That Jazz in 1980 and an Emmy for the acclaimed 1985 TV version of Death of a Salesman. He has received many Oscar, Emmy and other nominations, including BAFTA nominations for costume and set design for Murder on the Orient Express in 1975 and Oscar nominations for both costume design and set direction/art direction for the motion picture version of The Wiz in 1979.
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